Manhattan Edit Workshop (MEWShop), the east coast leader in training and certification for content creators, announces the return of Sight, Sound & Story: Post Production Summit, taking place June 14th at the NYIT Auditorium Theater on Broadway.
New York Production Community Gathers for Sold-Out “Sight, Sound & Story” Cinematography Year-End Event
Award-Winning and Acclaimed Documentary, TV and Feature Film Cinematographers Discuss their Careers and Go Behind-the-Scenes with Nearly 300 Attendees
New York, NY - December 7, 2017, – Manhattan Edit Workshop, the east coast leader in training for content creators, held its annual “Sight, Sound & Story: The Art of Cinematography” symposium on December 6th at the NYIT Auditorium on Broadway. Three panels featuring award-winning cinematographers discussed their craft, followed by a networking party attended by industry-leading sponsors, filmmakers, and creative production professionals.
ASC Members Participate in “Sight, Sound and Story: The Art of Cinematography” Event in NYC on December 6
“Sight, Sound & Story: The Art of Cinematography” Event Returns to New York City - December 6th 2017
New York, NY – November 29, 2017 – Manhattan Edit Workshop (MEWShop), the east coast leader in training and certification for content creators, announces the return of Sight, Sound & Story: The Art of Cinematography, taking place December 6th at the NYIT Auditorium Theater on Broadway.
ART OF THE CUT with Michael Berenbaum
Michael Berenbaum, ACE won two Emmys and two Eddies for Best editing for Desperate Housewivesand Sex and the City. His work also includes editing both Sex and the City movies, and other TV series including The Wire, Nurse Jackie, The Americans and Marco Polo. Art of the Cut interviewed Berenbaum before he spoke at the Manhattan Edit Workshop’s Sight, Sound and Story post-production event.
Oscar-Nominated Editor Dylan Tichenor, ACE Headlines One Day Post Production Summit
New York, New York –July 6, 2017 - On June 10, 2017, Sight, Sound and Story celebrated their fifth annual Post Production Summit at the NYIT Auditorium on Broadway. Over 300 filmmakers, editors and post-production professionals gathered for a front row seat to a full day of panels focused on the art of post-production. This year’s panels included “Anatomy of a Scene: Deconstructing Documentary Films,” “Cinematic 360/VR Panel: 360 Degrees of Storytelling,” “TV is the New Black: Television's Cinematic Revolution” and “Inside the Cutting room with Bobbie O’Steen;” for an in-depth discussion with acclaimed film editor Dylan Tichenor, ACE. The day-long summit was followed by a two-hour networking party sponsored by American Cinema Editors (ACE.)
Wes Anderson and Paul Thomas Anderson's Editor Reveals Secrets from the Cutting Room
Dylan Tichenor, Oscar-nominated editor of 'There Will Be Blood,' 'Magnolia,' 'Brokeback Mountain,' and more, breaks down clips from his movies.
During a wide-ranging discussion at Saturday's Sight, Sound & Story panel in New York, Academy Award-nominated editor Dylan Tichenor, ACE revealed to moderator Bobbie O'Steen that he first began to comprehend film editing while watching classic films like Nosferatu with his father. It was during these formative viewing experiences—including holding a piece of film from Orson Welles' The Magnificent Ambersons up to the light—that Tichenor realized movies were composed of different shots.
TV is the New Black: Top Editors on Cutting in TV's Cinematic Age
What's it like to be a television editor? Experts explain.
There has perhaps never been a better time to be an editor in Hollywood, though according to panelists who spoke on a panel at the Sight, Sound & Story event in New York, the job is different than it used to be.
ART OF THE CUT on doc editing with Maya Mumma
Maya Mumma has worked on numerous documentary projects including as an associate editor on Restrepo, and as an editor on Which Way Is the Front Line from Here?, The Life and Time of Tim Hetherington, Moms Mabley: I Got Somethin’ to Tell You, Mr. Dynamite: The Rise of James Brown, A Journey of a Thousand Miles: Peacekeepers, and ESPN Film’s Oscar-winning: O.J.: Made in America. Mumma will be speaking at Manhattan Edit Workshop’s Sight, Sound and Story event June 10th at the NYIT Auditorium.
Manhattan Edit Workshop Preps Fifth Sight, Sound & Story
Sight, Sound & Story - The Post Production Event of the Year; Celebrates 5th Year Anniversary, NYC, June 10th
"Sight, Sound & Story" Takes on Cinematography
Manhattan Edit Workshop’s recent Sight, Sound & Story: Art of Cinematography in New York City featured two one-hour panels: “Thinking In Pictures — Perspectives, Compositions, Lighting and Mood” and “Life Behind the Lens: DPs Talk Careers and Creativity in Film and Television.” The first focused on documentary work and the second on narrative-based storytelling. Both sparked questions and ideas in the head of this DP, including what roles and responsibilities cinematographers play in the storytelling process.
“Sight, Sound & Story: The Art of Cinematography” Production Event Returns December 6th
Manhattan Edit Workshop Launches Educational TV and Film Videos on YouTube Channel Featuring Industry Experts
New York, New York - October 18, 2016 - As the leader in post-production training and certification, Manhattan Edit Workshop (MEWShop), has produced, over a number of years, a wealth of video content. Already known for its "Sight, Sound & Story" speaker series and Six-Week Art of Editing course, MEWShop is expanding its purview to web content. That content is available on YouTube.com/MEWShop, from interviews with award-winning editors and cinematographers, to how-to videos detailing step-by-step edit processes.
Cutting Commentary at New York Post Panel
Sight, Sound & Story: How these editing, VFX pros found their path
Earlier this month, Manhattan Edit Workshop held its yearly Sight, Sound & Story conference in New York City. It was a full day of panel discussions featuring editors and visual effects pros at the top of their game. The conversations were refreshing and helpful — the panelists focused on their individual journey to where they are now, as well as the craft of filmmaking rather than tools and techniques.
Legendary Editor Anne Coates, ACE Headlines Sight, Sound & Story 2016
New York, New York - June 28, 2016 - On June 11, 2016, over 300 editors, filmmakers, and post production professionals packed the NYIT Auditorium on Broadway for a full day of panels focused on the art of editing documentary films, episodic TV, visual effects, and an in-depth discussion with legendary Oscar-winning editor Anne V. Coates, ACE. The day-long summit was followed by a two-hour networking party sponsored by the American Cinema Editors (ACE.) This year marks the fourth year of the only New York full day summit focused on the art of post production.
Get Schooled on Cutting for the Golden Age of TV by Editors of 'Breaking Bad' and 'The Wire'
Is TV an "editor's medium"? The industry's top cutters think so.
Between the three of them, Kelley Dixon, Kate Sanford, and Leo Trombetta have cut thousands of hours of television and movies. Dixon has worked on Breaking Bad and Better Call Saul, Trombetta on Wayward Pines, and Kate Sanford on The Wire and, most recently, Vinyl. At the recent Sight, Sound & Story panel, 'TV Is the New Black: Television's Cinematic Revolution', each discussed their careers and recent work, and gave tips for those looking to get into the industry. Here are the three top takeaways we learned from them.
Behind The Green Screen': Top VFX Supervisors on Craft, Commerce and Communication
ART OF THE CUT with editor Leo Trombetta, ACE of “Mad Men” “Narcos” “Roswell” and “Luck”
Leo Trombetta, ACE has professional credits dating back into the mid 1980s and has been in the editor’s chair since the early 1990s. He has edited more than a dozen feature films, like “Twin Falls Idaho” and a range of TV shows like WB’s “Roswell,” Michael Mann’s “Luck” for HBO, AMC’s “Mad Men,” FOX’s “Wayward Pines,” and Netflix’s “Narcos.” He has also worked as a sound editor on such films as “Bonfire of the Vanities” and David Mamet’s “Homicide.”
Trombetta won an Emmy and an ACE Eddie for editing “Temple Grandin” for HBO Films as well as additional Eddies in 2011 and 2012. He will appear at the Manhattan Editor’s Workshop’s “Sight, Sound and Story” event in NYC, June 11th.