#SSS2017

Sight, Sound & Story: The Art of Cinematography 2017

After EditFest NY moved to London, Manhattan Edit Workshop picked up the reins with its Sight, Sound & Story (SS&S) conferences. The first post production event premiered in June of 2013. The format was similar — top-of-their-craft editors and post specialists participating in panels focusing on specific areas of the industry. Over the years there have been great panels on TV editing, sound effects and audio editing, VFX and virtual reality. I have attended these events since they began. They are a great chance to get inspired, learn more about my industry and meet great people.

ART OF THE SHOT: Buddy Squires, ASC Talks About Shooting Ken Burn and Lynn Novick’s “The Vietnam War”

He has shot more than 200 films and is a frequent collaborator with Ken Burns. Buddy Squires, ASC is an Oscar-nominated and Emmy-winning Director of Photography. If you have seen a great documentary lately than more than likely it was shot by Buddy. He is known for his work on The National Parks, The Civil War, The Vietnam War, Salinger, and The Central Park Five.

If you are in the New York City area you can hear Buddy talk at the Manhattan Edit Workshop “Sight, Sound, and Story.” This December 6th, the Manhattan Edit Workshop’s acclaimed speaker series continues with an evening devoted to the art of cinematography.  At the workshop, MEW will honor the craft of visual storytelling by talking to the masters behind the camera. Tickets for the afternoon/evening event only cost $45 and audience members will also hear from Joan Churchill ASC, Igor Martinovi, and Martin Algren. If, however, you cannot make it to NYC to listen to Buddy in person PVC had the opportunity to talk to him this week for this edition of “Art of the Shot.”

ASC Members Participate in “Sight, Sound and Story: The Art of Cinematography” Event in NYC on December 6

The Manhattan Edit Workshop (MEWShop) has announced the return of “Sight, Sound and Story: The Art of Cinematography,” which will take place on December 6 at the NYIT Auditorium Theater on Broadway.

ART OF THE CUT with Michael Berenbaum

Michael Berenbaum, ACE won two Emmys and two Eddies for Best editing for Desperate Housewivesand Sex and the City. His work also includes editing both Sex and the City movies, and other TV series including The Wire, Nurse Jackie, The Americans and Marco Polo. Art of the Cut interviewed Berenbaum before he spoke at the Manhattan Edit Workshop’s Sight, Sound and Story post-production event.

Sight Sound & Story 2017: TV editing and Dylan Tichenor, ACE

This year, I was asked to live tweet from Sight Sound & Story on behalf of Blue Collar Post Collective. As part of their mission to make post events as accessible to members of our industry as possible, they often attend events like this one and provide live blogging, tweeting and recaps of the events for their members via their Facebook group. What follows are the recaps that I posted to that group after the event and massaged a bit for the sake of postPerspective.

Wes Anderson and Paul Thomas Anderson's Editor Reveals Secrets from the Cutting Room

Dylan Tichenor, Oscar-nominated editor of 'There Will Be Blood,' 'Magnolia,' 'Brokeback Mountain,' and more, breaks down clips from his movies.

During a wide-ranging discussion at Saturday's Sight, Sound & Story panel in New York, Academy Award-nominated editor Dylan Tichenor, ACE revealed to moderator Bobbie O'Steen that he first began to comprehend film editing while watching classic films like Nosferatu with his father. It was during these formative viewing experiences—including holding a piece of film from Orson Welles' The Magnificent Ambersons up to the light—that Tichenor realized movies were composed of different shots.

TV is the New Black: Top Editors on Cutting in TV's Cinematic Age

What's it like to be a television editor? Experts explain.

There has perhaps never been a better time to be an editor in Hollywood, though according to panelists who spoke on a panel at the Sight, Sound & Story event in New York, the job is different than it used to be.

ART OF THE CUT on doc editing with Maya Mumma

Maya Mumma has worked on numerous documentary projects including as an associate editor on Restrepo, and as an editor on Which Way Is the Front Line from Here?, The Life and Time of Tim Hetherington, Moms Mabley: I Got Somethin’ to Tell YouMr. Dynamite: The Rise of James Brown, A Journey of a Thousand Miles: Peacekeepers, and ESPN Film’s Oscar-winning: O.J.: Made in America. Mumma will be speaking at Manhattan Edit Workshop’s Sight, Sound and Story event June 10th at the NYIT Auditorium.

Manhattan Edit Workshop Preps Fifth Sight, Sound & Story

Away from the major tradeshow cycle, there are any number of smaller events that have grabbed themselves deserved places on the calendar and offer something a bit more niche and perhaps a bit more special too. New York's Sight, Sound & Story this weekend is one of them.

360/VR Night in NYC at Manhattan Edit Workshop

Why 360 Video?

The 360° and VR video movement is growing rapidly leaving editors and post facilities with many challenges to keep up with. This special event features VFX and post-industry veterans sharing the experience, tips and techniques you need to take on 360 post projects. Including the NYC premiere of Mocha VR!