postperspective

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A Conversation with Film and TV Editor Brian A. Kates

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In 2004, Manhattan Edit Workshop began a four-week editing workshop for aspiring professional editors. In 2006, it became their six-week workshop. During the six weeks, the students receive training on the most-used editing tools of the industry. They are also given a chance to explore the art of editing. An important aspect of the workshop is the Artist in Residence. A successful professional editor visits the class to offer some insights into their own career, as well as look at the work the students are doing and provide them with some feedback.

Brian A. Kates was the artist in residence for the January/February 2018 workshop. He is an Emmy award-winning editor for his work on Taking Chance, as well as a two-time Eddie award winner for his work on Bessie and Lackawanna Blues. He is also known for his work on The Savages, Shortbus, Killing Them Softly, How to Talk to Girls at Parties and The Marvelous Mrs. Maisel.

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Sight, Sound & Story: The Art of Cinematography 2017

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After EditFest NY moved to London, Manhattan Edit Workshop picked up the reins with its Sight, Sound & Story (SS&S) conferences. The first post production event premiered in June of 2013. The format was similar — top-of-their-craft editors and post specialists participating in panels focusing on specific areas of the industry. Over the years there have been great panels on TV editing, sound effects and audio editing, VFX and virtual reality. I have attended these events since they began. They are a great chance to get inspired, learn more about my industry and meet great people.

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Sight Sound & Story 2017: TV editing and Dylan Tichenor, ACE

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This year, I was asked to live tweet from Sight Sound & Story on behalf of Blue Collar Post Collective. As part of their mission to make post events as accessible to members of our industry as possible, they often attend events like this one and provide live blogging, tweeting and recaps of the events for their members via their Facebook group. What follows are the recaps that I posted to that group after the event and massaged a bit for the sake of postPerspective.

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"Sight, Sound & Story" Takes on Cinematography

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Manhattan Edit Workshop’s recent Sight, Sound & Story: Art of Cinematography in New York City featured two one-hour panels: “Thinking In Pictures — Perspectives, Compositions, Lighting and Mood” and “Life Behind the Lens: DPs Talk Careers and Creativity in Film and Television.” The first focused on documentary work and the second on narrative-based storytelling. Both sparked questions and ideas in the head of this DP, including what roles and responsibilities cinematographers play in the storytelling process.


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Sight, Sound & Story: How these editing, VFX pros found their path

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Earlier this month, Manhattan Edit Workshop held its yearly Sight, Sound & Story conference in New York City. It was a full day of panel discussions featuring editors and visual effects pros at the top of their game. The conversations were refreshing and helpful — the panelists focused on their individual journey to where they are now, as well as the craft of filmmaking rather than tools and techniques.

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"Sight, Sound & Story" Looks at the Editor's Process - postPerspective

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As a young filmmaker and editor, I was very excited to be attending Manhattan Edit Workshop’s Sight, Sound & Story conference that took place right off of Madison Avenue in New York City recently. On my way to the event, I passed men in slick suits walking into shiny buildings, evoking thoughts of my favorite show, Mad Men.

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Former Six Week Student Joins Red Car - postPerspective

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New York — Red Car in New York has added editor Michael Sullivan to its team.  Most recently at Gramercy Park, he brings a range of editorial experience to Red Car as well as a resume that includes audio mixing and recording and sound design. The signing was announced by Managing Director and EP Scott Spanjich.  Sullivan joins an editorial roster at the company that includes Deirdre Bell, Charlie Cusumano, Greg Letson and Keith Olwell.