#cinematography

New York Production Community Gathers for Sold-Out “Sight, Sound & Story” Cinematography Year-End Event

New York Production Community Gathers for Sold-Out “Sight, Sound & Story” Cinematography Year-End Event

Award-Winning and Acclaimed Documentary, TV and Feature Film Cinematographers Discuss their Careers and Go Behind-the-Scenes with Nearly 300 Attendees

New York, NY - December 7, 2017 Manhattan Edit Workshop, the east coast leader in training for content creators, held its annual “Sight, Sound & Story: The Art of Cinematography” symposium on December 6th at the NYIT Auditorium on Broadway.  Three panels featuring award-winning cinematographers discussed their craft, followed by a networking party attended by industry-leading sponsors, filmmakers, and creative production professionals.   

ART OF THE SHOT: Buddy Squires, ASC Talks About Shooting Ken Burn and Lynn Novick’s “The Vietnam War”

He has shot more than 200 films and is a frequent collaborator with Ken Burns. Buddy Squires, ASC is an Oscar-nominated and Emmy-winning Director of Photography. If you have seen a great documentary lately than more than likely it was shot by Buddy. He is known for his work on The National Parks, The Civil War, The Vietnam War, Salinger, and The Central Park Five.

If you are in the New York City area you can hear Buddy talk at the Manhattan Edit Workshop “Sight, Sound, and Story.” This December 6th, the Manhattan Edit Workshop’s acclaimed speaker series continues with an evening devoted to the art of cinematography.  At the workshop, MEW will honor the craft of visual storytelling by talking to the masters behind the camera. Tickets for the afternoon/evening event only cost $45 and audience members will also hear from Joan Churchill ASC, Igor Martinovi, and Martin Algren. If, however, you cannot make it to NYC to listen to Buddy in person PVC had the opportunity to talk to him this week for this edition of “Art of the Shot.”

Art of The Shot: Eric Edwards

The DP of Lovelace, Knocked Up, and Bosch talks life, work, and vintage cinema lenses.

You have seen Eric Alan Edward’s work. I would go so far as to say you have likely watched more than one of his films. This has been my journey discovering the cinematography of Eric Edwards. As I did my research I realized I have, on more than one occasion, sat in a theater and watched his work flicker by on the screen in front of me while I stuffed my mouth with salted popcorn. The big comedies “Knocked Up,” “The Break-Up,” and “Delivery Man” are just a few big budget films he has lensed. Then there is his more dramatic work on “Lovelace,” the Amazon Original series “Bosch,” and “The Slaughter Rule.” Edwards also shot music videos for Bruce Springsteen, Elton John, Michael Jackson, Donna Summers, Alanis Morissette, Paul Simon and the Red Hot Chili Peppers video Under the Bridge which won a MTV’s best music video of the year. Like I wrote, you have likely seen Edwards work.

If print does not do you justice you have an option to listen to Eric in person by heading over to Sight, Sound, & Story. Manhattan Edit Workshop’s speaker series. The workshop will dive into the craft of visual storytelling from masters behind the lens. Joining Eric Edwards will be Eric Lin (My Blind Brother), and Vanja Cernjul (Marco Polo.)

Art of the Shot: Eric Lin

The cinematographer of “My Blind Brother” talks his most difficult shot with PV

Recently, I had the opportunity to talk to Eric Lin who is a cinematographer best known for his work on I Smile Back (2015), Equity (2016) and Rudderless (2014). His latest film “My Blind Brother” hit theaters earlier this year and can currently be seen on Video on Demand. The conversation between Eric and myself not only touched on his most difficult shot from “My Blind Brother,” but also about life as a cinematographer who is trying to balance work and life. To focus topics and for better understanding, I edited the transcribed audio from our interview. I tried to keep Eric’s voice and answers as true to our conversation as possible.

If after reading this transcribed interview between Eric Lin and myself and you want to hear more from Eric then head over to Sight, Sound, & Story. Manhattan Edit Workshop’s speaker series. The workshop will dive into the craft of visual storytelling from masters behind the lens. Joining Eric Lin will be Eric Alan Edwards (My Own Private Idaho) and Vanja Cernjul (Marco Polo).

“Sight, Sound & Story: The Art of Cinematography” Production Event Returns December 6th

Manhattan Edit Workshop (MEWShop), the east coast leader in training and certification for content creators, announces the return of Sight, Sound & Story: The Art of Cinematography, December 6th at the NYIT Auditorium Theater on Broadway.