Go behind-the-scenes with the DP and Colorist of the new Netflix film “Passing”
Oscar-nominated Cinematographer Dean Cundey, ASC Headlines Sold-Out NYC Cinematography Summit
Sight, Sound & Story Event Series Launches Audio Podcast
Art of the Shot: Eric Lin
The cinematographer of “My Blind Brother” talks his most difficult shot with PV
Recently, I had the opportunity to talk to Eric Lin who is a cinematographer best known for his work on I Smile Back (2015), Equity (2016) and Rudderless (2014). His latest film “My Blind Brother” hit theaters earlier this year and can currently be seen on Video on Demand. The conversation between Eric and myself not only touched on his most difficult shot from “My Blind Brother,” but also about life as a cinematographer who is trying to balance work and life. To focus topics and for better understanding, I edited the transcribed audio from our interview. I tried to keep Eric’s voice and answers as true to our conversation as possible.
If after reading this transcribed interview between Eric Lin and myself and you want to hear more from Eric then head over to Sight, Sound, & Story. Manhattan Edit Workshop’s speaker series. The workshop will dive into the craft of visual storytelling from masters behind the lens. Joining Eric Lin will be Eric Alan Edwards (My Own Private Idaho) and Vanja Cernjul (Marco Polo).
Life as an independent cinematographer, an interview with Nancy Schreiber, ASC
I had the pleasure of speaking with Nancy Schreiber, ASC, who will be featured at the upcoming Manhattan Edit Workshop event September 30th, 2015. She will be presenting with other notable cinematographers like Hugo Perez (Betty La Flaca, Juliet Y Ramon), Matt Porwoll (Cartel Land, Crisis Hotline: Veterans Press 1), Jerry Ricciotti (Vice, Vice News), and Paul Koestner (Louie, Deadbeat, Better Things). Nancy has a huge list of work throughout her career ranging in short films, documentaries, TV and feature films.