Go inside the cutting room of peak tv’s most captivating and compelling drama series.
Editors, Sound Designers & VFX Artists Share Their Secrets at MEW’s 6/8 Event - ProductionHUB
Sight, Sound & Story Debuts in New York June 8th!
Stephen Rotter: Do What The Film Needs - From The Guild
Inside The Cutting Room With Bobbie O'Steen Featuring Stephen Rotter
Andrew Weisblum: The Versatile Editor - From The Guild
Cutting for Story: Editor Andrew Weisblum in Conversation - Filmmaker Magazine
Thelma Schoonmaker and Martin Scorsese. Walter Murch and Francis Ford Coppola. Tim Squyres and Ang Lee. For many an editor, these longtime creative partnerships represent the most alluring and elusive of career ideals. For editor Andrew Weisblum, that ideal is well on the way to becoming a reality — twice over. Since 2007, Weisblum has cut all of both Wes Anderson’s and Darren Aronofsky’s feature films, ranging in style from the witty charm of Fantastic Mr. Fox to the demented psychodrama of Black Swan (for which Weisblum was Oscar nominated). Kicking off this year’s Manhattan Edit Workshop series “Inside the Cutting Room With Bobbie O’Steen” with an evening of clips and conversation last week, Weisblum reflected on his collaborations with these dramatically different directors. It was a study in opposites that proved again and again that it’s story, not style, that makes the editor.
Inside The Cutting Room with Bobbie O'Steen at NYU Cantor Film Center on November 8th
Please join renowned author Bobbie O'Steen ("Cut to the Chase," "The Invisible Cut") for an in-depth discussion with master film editor Tim Squyres, ACE, who will screen footage and talk about his work on such films as "Crouching Tiger, Hidden Dragon," “Syriana,” "Rachel Getting Married,” and “Life of Pi".
MEWShop Presents: Inside The Cutting Room With Bobbie O'Steen Featuring Jay Rabinowitz, ACE
Please join renowned author Bobbie O’Steen (“Cut to the Chase”, “The Invisible Cut”) for an in-depth discussion with master film editor Jay Rabinowitz, ACE who will screen footage and talk about his work on Night on Earth, Affliction, Requiem for a Dream and I’m Not There. This event is presented by Manhattan Edit Workshop and will take place at NYU’s Cantor Film Center on April 26th from 7 to 9 pm.
The Innovative Interpretations of Jay Rabinowitz - Editor's Guild Magazine
Whenever editors begin a film, they enter into completely new territory and must adjust to and understand the director's way of working and thinking. Editor Jay Rabinowitz, ACE, has traveled among a particularly diverse group of directors and has been able to immerse himself in their worlds - while showing the courage and ingenuity to surprise them,, which is what really sets and editor apart. All of this was in evidence when we discussed and screened some of Rabinowitz's work in December for my "Inside the Cutting Room" series, produced by ProductionCONN and Manhattan Edit Workshop.