american cinema editors

“Ozark” and “The Last of Us” Editor Cindy Mollo, ACE, Joins Manhattan Edit Workshop as Artist in Residence

MEWShop’s Six Week Intensive Art of Editing Workshop Starts Online or In Person March 6th

“Black Panther: Wakanda Forever” and “Breaking Bad” Editor Kelley Dixon, ACE, Joins Manhattan Edit Workshop as Artist in Residence to Start 2023

MEWShop’s Six Week Intensive Art of Editing Workshop Starts Online or In Person January 9th

“Jojo Rabbit” & “The Harder They Fall” Editor Tom Eagles, ACE, Joins Manhattan Edit Workshop as Their Next Artist in Residence

MEWShop’s Six Week Intensive Art of Editing Workshop Starts Online March 7th

“Argo” & “The Imitation Game” Editor William Goldenberg, ACE, Joins Manhattan Edit Workshop as Their Next Artist in Residence

Manhattan Edit Workshop (MEWShop), the cutting-edge, online digital-training destination for post-production specialists and content creators is proud to announce the upcoming Artist in Residence for the January 10th class will be Oscar-winning Editor William Goldenberg, ACE.**  

William Goldenberg, ACE, most recently edited ”The Outfit,” the feature directorial debut of Oscar-winning screenwriter Graham Moore.  Before that, he collaborated with director Paul Greengrass on “News of the World” starring Tom Hanks and Greengrass’s “22 July” for Netflix.

He won the Academy Award, BAFTA and ACE Award for Ben Affleck’s Best Picture-winning ”Argo.”

Goldenberg received Oscar, BAFTA and ACE nominations for editing “The Imitation Game” and “Zero Dark Thirty” (with Dylan Tichenor). He was nominated for an Oscar for “Seabiscuit” and “The Insider” (with Paul Rubell and David Rosenbloom).

His other credits include: Kathryn Bigelow’s “Detroit”, Ben Affleck’s crime dramas “Live By Night” and “Gone Baby Gone”, Peter Landsman’s “Concussion,” Angelina Jolie’s “Unbroken” (with Tim Squyres) Michael Mann’s ”Miami Vice,” “Ali,” and “Heat,” Michael Bay’s “Transformers” III, IV, and the recently released “6 Underground,” Jon Turteltaub’s “National Treasure” I and II, “Domino” for Tony Scott, “Pleasantville,” “Coyote Ugly,” “The Long Kiss Goodnight,” and “Alive” (with Michael Kahn).

Goldenberg also edited the HBO film “Citizen X,” receiving an Emmy-nomination for Editing for a Miniseries or Special; as well as the Oscar-nominated short film “Kangaroo Court,” directed by Sean Astin.

A Philadelphia native, Goldenberg is a graduate of Temple University.

The next installment of MEWShop’s Six Week Intensive Workshop will be taught LIVE online beginning on January 10, 2022 and will be held Monday through Friday from 10 AM EST to 6 PM EST.  For more information on the Online Six Week Intensive Workshop or to register, please visit https://www.mewshop.com/six-week-intensive-online.  “William Goldenberg has worked on some of the most iconic films of the past 20 years,” says MEWShop President Jason Banke.  “This will be a one-of-a-kind experience for our students editing education.” MEWShop’s early bird pricing ends December 31st.

 

About Manhattan Edit Workshop’s LIVE Online Six Week Intensive Workshop: The post-production industry is highly competitive, and knowing the industry standards – Premiere Pro, After Effects and Avid Media Composer – is critical for success.  MEWShop offers all of this in one comprehensive six-week course, the training that aspiring post-production professionals need in each of these editing applications, taught by certified instructors.  

Beyond the creative and technical aspects of editing, a portion of the Six Week Intensive Workshop is focused on the best strategies to secure a job once the class ends.  Students will draft cover letters and resumes, which will be refined over the span of the class, and also discuss with instructors about interview strategies and job applications, as well as how to appropriately set rates and find the right work for each graduate’s unique interests.

Our LIVE online workshop will run Monday - Friday from 10am EST - 6pm EST with an hour lunch.  All media and projects will be provided online with screenings and discussions occurring on either Zoom or Google Hangout.  Students will need to obtain an Avid license from Avid or have or obtain an Adobe Premiere Pro license for the duration of the class.  These can be purchased separately, or Manhattan Edit Workshop can direct students to free or temporary options.  Please make sure that your home computer specs are up to standard to handle these applications prior to taking the workshop.  Manhattan Edit Workshop administration will do a trial run the week before the class begins with each student to verify that everything is working.  

Online Class Highlights:

  • All lessons and discussions will be live and not recorded versions.

  • Free access to each application for the scope of the course.

  • The same amount of one-on-one time and attention that students receive for our in-person workshop.

  • Remote Adobe Premiere Pro & After Effects training (weeks 1 & 2).

  • Remote Avid Media Composer training (weeks 3 & 4).

  • Remote Screenings and discussions (weeks 1 - 4).

  • Remote Artist in Residence experience with an accomplished editor (scheduled during week 5 & week 6).

  • Remote instruction on resume and cover letters (weeks 5 & 6).

  • Remote editing and one-on-one review of editing Manhattan Edit Workshop provided projects for student’s reels.

  • Ability to come back for weeks 5 & 6 during a future Six Week Intensive to work on projects and receive additional one-on-one time with our instructors.

  • Ability to submit and apply to our Intern Referral program.

  • Ability to take both Avid Certification tests remotely.

 

   **Artists in Residence are schedule permitting.

 

 

“The Falcon and The Winter Soldier” Editor Rosanne Tan, ACE, Joins Manhattan Edit Workshop as Their Next Artist in Residence

MEWShop’s Six Week Intensive Art of Editing Workshop Starts Online September 13th

Sight, Sound & Story: Live Goes “Inside the Cutting Room of Sam O’Steen” on November 19th

The Sight, Sound & Story: Live monthly event series continues in November with Author & Film Historian Bobbie O’Steen and a panel of seven editors

MEWShop Welcomes Editor Liza Cardinale, ACE, for our July/August 2020 LIVE Online Six Week Intensive

Liza Cardinale, ACE is a television editor living in Los Angeles, CA

MEWShop Welcomes Editor Todd Downing, ACE, for our May/June 2020 Online Six Week Intensive

Todd Downing, ACE, edits television series, films, and documentaries across a wide range of genres, from arthouse animation to slapstick comedy, to documentaries about the Syrian civil war.

MEWShop proudly announces that Editor Sheri Bylander, ACE, will join our January/February 2020 Six Week Intensive.

Sheri Bylander is a New York-based editor of TV dramas The Americans (FX), Divorce (HBO), The Purge (USA/SYFY), Hap and Leonard (Sundance Channel) and comedies Alpha House (Amazon)Sirens (USA) and The Jim Gaffigan Show (TVLand), among others. She has also edited feature films (including a Cannes award-winner), feature documentaries, and documentary-style TV.

Editor of “Gemini Man” Tim Squyres, ACE, Signs on As Manhattan Edit Workshop’s Next Artist in Residence

Six Week Students will have the opportunity to Work with the Two-time Oscar-nominated Editor During the November 2019 Workshop

Manhattan Edit Workshop Introduces Three Week Advanced Art of Editing Workshop to its Impressive Line Up of Courses

Advanced Workshop will be geared to editors looking to go beyond the basics of editing aesthetics and application training

Oscar Nominated Editor Robert Eisenhardt, ACE Joins Our Next Six Week Intensive Workshop!

MEWShop is excited to announce that Oscar-nominated editor Robert Eisenhardt, ACE,  will join our March/April 2019 Six Week Intensive.

Acclaimed Editor Anne McCabe, joins Our Next Six Week Intensive Starting January 7th!

MEWShop proudly announces that acclaimed editor Anne McCabe, ACE,  will join our January/February 2019 Six Week Intensive.

An editor recaps Sight, Sound & Story 2018

As a working editor always looking to learn, I attend numerous industry events throughout the year, but this one has become one of the “can’t miss” items on my list. They bring in top-notch panelists sharing their work and their insights. This year’s post event was once again a chance to hear from professionals at the top of their craft across documentary, scripted television and feature film.