Robert Eggers, along with longtime collaborators Louise Ford and Jarin Blaschke, discusses the decade-long journey of bringing Nosferatu to life. They delve into the film’s meticulous development, from early lookbooks to final edits, emphasizing their seamless creative partnership. The conversation highlights the challenges of production, including lighting complexities, location difficulties, and the integration of sound and music. They also explore the film’s unique visual language, psychological depth, and its haunting impact on audiences. Through dedication and collaboration, the team crafts a modern yet timeless horror experience that pays homage to classic cinema.
Wes Anderson and Paul Thomas Anderson's Editor Reveals Secrets from the Cutting Room
Dylan Tichenor, Oscar-nominated editor of 'There Will Be Blood,' 'Magnolia,' 'Brokeback Mountain,' and more, breaks down clips from his movies.
During a wide-ranging discussion at Saturday's Sight, Sound & Story panel in New York, Academy Award-nominated editor Dylan Tichenor, ACE revealed to moderator Bobbie O'Steen that he first began to comprehend film editing while watching classic films like Nosferatu with his father. It was during these formative viewing experiences—including holding a piece of film from Orson Welles' The Magnificent Ambersons up to the light—that Tichenor realized movies were composed of different shots.
Announcing The Karen Schmeer Film Editing Fellowship
The Karen Schmeer Film Editing Fellowship has been created to assist editors in developing their talent and furthering their career aspirations. In conjunction with American Cinema Editors (ACE) and other partners, the Fellowship offers a wide array of opportunities for promising film editors, in both documentary and fiction.