Sight, Sound & Story: 2016

Legendary Editor Anne V. Coates, ACE on the Famous "Match Cut" from "Lawrence of Arabia"

Legendary Editor Anne V. Coates, ACE on Cross-Cutting in "Unfaithful"

Editor Kelley Dixon, ACE on Creative Freedom in "Breaking Bad"

VFX Artist Ed Mendez on Creating a Burning Environment in "The Leftovers"

Editor Leo Trombetta, ACE on Digitally Inserting an Actor into a Scene from "Wayward Pines"

Legendary Film Editor Anne V. Coates, ACE on the Challenges of Cutting "Becket"

Cinematographer Vanja Cernjul, ASC on Developing the Look for "Marco Polo"

VFX Artist Sean Devereaux on Landing Every Punch in "Southpaw"

Editor Anne V. Coates, ACE on Editing Alternate Reveals in "The Elephant Man"

Anne V. Coates, ACE on Using Limited Coverage in "Murder on the Orient Express"

DP Wolfgang Held on Using Documentary Shooting Techniques on "Sophie and the Rising Sun"

Editor Anne V. Coates, ACE on The Signifigance of Timing From "In the Line of Fire"

Editor Anne V. Coates, ACE on Character Chemistry in "What About Bob?"

Editor Mona Davis on the Making of "Love & Diane"

Legendary Editor Anne V. Coates, ACE on Combining Scenes in "Out of Sight"

Editor Kate Sanford, ACE on the Use of Music in HBO's "Vinyl"

Cinematographer Kirsten Johnson on Capturing a Perfect Moment on her Film "Cameraperson"

Editor Erin Casper on Shaping Interviews in "American Promise"

Legendary Editor Anne V. Coates, ACE On the Mirage Sequence in "Lawrence of Arabia"

VFX Artist Alex Lemke on Creating Realistic Environments in "Creed"

Cinematographer Eric Edwards on Shooting at Night on the Comedy Feature Film "The Change-Up"

Cinematographer Eric Edwards on Shooting During a Live NBA Basketball Game for "Delivery Man"

Editor Gabriel Rhodes on a Powerful Interview from the Documentary Film "The Witness"